One week later the publishing company canceled my contract citing the author's desire to go with a previous illustrator.
That day was not the best day in my life, and I suppose I could have gone back to my about-to-be-former employer and ask to stay on. But I felt like there was no turning back at that point, sure I was scared, but I had come this far right? I had a little money saved and I had a few other jobs coming in, so on Friday, May 8th 1998 I left the second of only two jobs I've ever had. The following Monday MER Images was open for business.
Looking back now I have no idea how I survived the first couple of years. . . the grace of God is what I think now. Obviously I owe a debt of gratitude to my clients, some of whom have become good friends and whose work has made me not just a better illustrator but a better artist (Keith and Jill you can pat yourselves on the back now;). The worry and stress of the early struggling years has given way to the thrill of getting a call from an art director in New York or Chicago, who I've never met, though they've been following MY work. There are still slow times, there are still times when I'm frustrated because I haven't attained every goal of my career but I try to keep that grateful attitude. Not everyone can say they do what they love for a living and that they've been doing it longer than anything else. I can. And no matter what happens there's no turning back, I mean I've come this far right?
See you in another ten years.
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As promised here is my illustration celebrating 10 years! Click on it to get a close look:
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OK now that you've seen it, keep an eye out, it will be appearing as a printed poster later this year. Some questions to ponder: Is the dark rate saving the white rat or letting go? What's up with the diamond ring, and why are they in a circus? Is this some sort of bizarre rat proposal? Stay tuned for the answers and commentary in a later post.